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Ultra-talk poems in my definition are typically quite personal in tone without being unaware of the absurdities inherent in a self-presentational aesthetic; yet their ironies seem different in spirit from what has been termed the "postmodern wink," that sometimes predictable deployment of language to undercut its own rhetoric, thus denying readers many of the traditional pleasures of poetry. Many ultra-talk poems are very aware of postmodern theory, bbw seeking cyber sex chat room may toy with ideas and techniques absorbed from that realm; but ultimately the emphasis is on the poem as giving pleasure. Halliday himself, of course, belongs squarely on such a list. In what follows I want to take Halliday's term and run with it, perhaps far beyond his intentions, for he confines himself mainly to discussing David Kirby's work. Nonetheless I believe the term identifies a real and interesting phenomenon in contemporary poetry that has as yet attracted little commentary.

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